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Sandra's early education in art came from an unusual source - silent films. "Painting stills from
silent films gave me much of my early education in art." Interpreting
those dramatic photographs, rich with the shadows and lighting that depicted
early Americana, she quickly became a value painter, and began creating
impressionistic watercolours. You'll find several of her paintings from the Silent
Stills series of her early career in this gallery. |
Click
on thumbnail to view enlargements... and if you see something you like,
be
sure to e-mail
us and we'll give you a price.
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Paulette (22x28) watercolor [SOLD] Paulette Goddard |
Intolerance (22x30) watercolor [SOLD] Lillian Gish in D.W. Griffith's Intolerance |
The Foundling (22x30) watercolor [SOLD] Mary Pickford in The Foundling |
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Tess (23x28) watercolor/acrylics [SOLD] Mary Pickford in Tess of the
Storm Country |
Treasure Island (22x30) watercolor [SOLD] Treasure
Island (1920) |
The Immigrants (22x30) watercolor [SOLD] Charlie Chaplin's The Immigrant |
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The Wind (22x28) watercolor [SOLD] Lillian Gish in The Wind |
Silent Mercury watercolor [SOLD] The klieg lights of silent films |
Surrender (22x28) watercolor [SOLD] Surrender (1927) |
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Gwendolyn (Mary Pickford) (22x30) watercolor Mary Pickford in The Poor
Little Rich Girl |
I Met Chaplin in a Dream (24-1/2x28) watercolor mounted on wood panel |
Dark Intrusions (12x16) watercolor Sydney Carton in A Tale of Two Cities (1917) |
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In the Palace of Night (from
"The Blue Bird" by Maurice Maeterlinck) (18x24) acrylics/gouache on canvas From Maurice Tourneur's The Blue Bird (1918) |
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a
Mystic-Art Media production 
send e-mail to: sandy@mystic-art.com
All
Rights Reserved. Please e-mail for permission to use any of the art, music or writing
at this site.
© Sandy Frazier, Mystic-Art Media, SandraFrazier.com